– – „In thinking about feminist theory and quite a bit of 20th century women’s literature – Virginia Woolf’s Mrs. Dalloway, HD’s Trilogy, Michelene Wandor’s Gardens of Eden – I began to notice a prevalence not of solely “feminine” imagery and language, but language that combines images that are at once masculine and feminine. It seems that quite a few of the “progressive feminist” texts and criticisms are not “feminist” in the sense that they deal exclusively with feminine images and language.“ (K weblog)